Jungkook – 3D Lyrics Meaning

The first verse sets the stage for the desire to connect physically and emotionally. Despite technological advancements like phones and the concept of the universe transcending time zones, the singer expresses the limitations of these methods in creating a tangible and present connection.

This verse appears to explore the concept of dimensions and how, in the three-dimensional world, there’s a specific aspect the singer is yearning for. The lyrics convey reassurance to the listener that if they’re feeling lonely, they don’t have to experience that emotion any longer.

The chorus expresses the desire to experience a connection in a more vivid, physical form – in three dimensions. The singer desires the listener’s readiness and permission to witness and be a part of these intimate, celebratory, and engaging moments in a tangible and three-dimensional space.

The chorus expresses the desire to experience a connection in a more vivid, physical form – in three dimensions. The singer desires the listener’s readiness and permission to witness and be a part of these intimate, celebratory, and engaging moments in a tangible and three-dimensional space.

The bridge emphasizes physical intimacy and the connection between the singer and the listener. It highlights the intense, emotional experience shared between them, creating a fresh and exciting sensation and affection in their relationship.

This verse encapsulates the singer’s yearning to witness the person they care about in a specific, desirable manner. There’s a strong desire to experience and interact with the individual in a way that brings happiness and fulfillment.

In this verse, the singer asks for permission, expressing the desire to observe and engage with the person in a dynamic and tangible manner, in “motion in 3D.” There’s a sense of enthusiasm and eagerness to establish a more immersive and vibrant connection.

The chorus emphasizes the potential positivity and joy that the singer believes their presence can bring. The imagery of “Champagne Confetti” indicates a celebratory and joyful atmosphere, reinforcing the desire to be a part of an exciting and festive experience in three dimensions.

The repetitive refrain underlines the singer’s strong preference for interaction and connection in a three-dimensional space. It communicates the intensity of their wish to experience a vivid, real, and tangible relationship in a physical and emotionally enriching manner.

This verse is a reference to Jung Kook, a member of the South Korean boy band BTS. The artist is drawing a comparison to Jung Kook’s ability to captivate or attract attention (as a well-known and admired figure) with their own ability to capture someone’s interest just by looking at them. The phrase “take a chick off one look” suggests that the artist can attract or impress someone by just one glance. Once someone is attracted to them, they don’t lose interest easily (“When they get took, they don’t ever get untook”).

In this verse, the artist refers to the impact of seeing someone with an impressive physique or attractive appearance, stating that the person looked so stunning that one might mistake them for a “dead body” (meaning they were so perfect, it seemed unreal). The artist is highlighting how they used to bring their friends to witness or admire these attractive individuals. The mention of “Stony Brook” could refer to a specific location or an allusion to a place where the artist used to take girls. The phrase “steal their hearts like some crook” means that the artist could easily captivate or win over these girls’ affections effortlessly.

In this verse, the artist contrasts their past experiences with their current situation. “True story” signifies that what they’ve mentioned previously is a genuine account of their past. The artist then reflects on a shift in their life—holding someone’s hand is now a new experience or a new chapter for them. Additionally, the mention of “All my ABGs get cute for me” suggests that the artist’s close friends (ABGs, or Asian Baby Girls, a colloquial term) make an effort to look attractive or presentable around the artist.

This verse describes different experiences or encounters with girls. The artist begins by saying that having just one girl was too dull or uninteresting for them. Two girls were considered acceptable or interesting, three girls made them realize how sexually-driven or eager some guys can be, and having four girls was when it was suggested that things were crossing a line into promiscuity or engaging in sex trade.

The artist starts by proclaiming a sense of freedom or casualness, possibly in their behavior or lifestyle. They mention using psychedelic mushrooms (“shrooms”) and have used them beneficially. They express carrying the responsibility of representing their city and asserting their global recognition, suggesting they are truthful and authentic in their actions and identity.

Here, the artist expresses a desire for something—possibly in a relationship or a personal experience—where they want the other person to be ready and willing. They want to witness or experience it in a lively and vivid way, almost like a 3D movie, symbolizing a more immersive experience. The lines “Champagne confetti” suggest celebration or a joyous, extravagant atmosphere.

The artist repeats the desire for a vivid and intense experience, emphasizing the feeling or sensation they desire, metaphorically referring to it as a 3D experience. It’s an affirmation of the type of experience or interaction they seek, highlighting their specific preferences.

The artist begins by mentioning observing the person they’re addressing playing with themselves on camera, possibly through a video call or another medium. They refer to the individual as their “bae,” a term of endearment, comparing them to Tampa, a city in Florida. The artist talks about having money (“bucks”) but clarifies that they don’t have intimate relations (“fucks”) with that person.

The artist mentions the concept of “thots,” a term that refers to promiscuous or flirtatious individuals, hinting that they’re not sure if the person wants to know about that aspect. They express a willingness to fly the person from Korea to Kentucky without asking for any commitments or guarantees in return.

The artist expresses a desire to see if they might get lucky with the person, suggesting they want to meet them in person, physically. They want to see if there’s a physical connection and if the person would reciprocate their touch.